The phenomena most
commonly associated with the 1930s era is the Great Depression.
Whilst the world has seen many recessions, bear markets and
depressions since, it remains to this day the longest, most severe
and most widespread depression of the twentieth century.
Although the causes
were varied and numerous, it was largely precipitated by an enormous
crash of the US stock market on October 29, 1929. $14 billion was
lost in one day; today, that would be the equivalent of $377 000 000
000. Unemployment hovered around 25% for some years, and with no
government benefits, the resultant poverty was intense.
The public mood was
sombre. Gone were the carefree attitudes, celebrations and hedonism
of the 20s. This was a new era, and it was full of financial worry.
Despite only around 60% of the population suffering direct effects of
the Depression, everyone was nervous about their financial future,
and were mindful of their less fortunate counterparts.
All this gloom and doom
had innumerable flow-on effects. For many families with reduced
incomes, this was the real start of the 'make do and mend' era.
Manufacturers started making cheaper dresses, lower-heeled shoes and
smaller, plainer hats in order to stay in business and give the
public what they could afford.
This was of course an
era where most every woman could, and did, sew. Although many women
had worked outside the home during the first world war, most returned
to homemaking and domestic duties once the men had returned. It was
not socially acceptable for married women to take on
employment, and the traditional arts of sewing and embroidery were
still viewed as desirable and suitable accomplishments for women.
As
family budgets stretched further and further, garments were altered
and re-altered, handed down and updated. The advent of colourful
bakelite in the late 1920s did much to promote the wearing of costume
jewellery, so it became easier to update an outfit with cheap
accessories, a pair of shoe clips or a few new ribbons and feathers
for an old hat.
As moods changed, so
did styles. In reaction to the straight silhouette and mannish styles
of the 20s, a more conservative and feminine look returned. The
waistline resumed its natural position and hemlines were lowered to
mid-calf length. Women now wanted to be genteel, ladylike, curvy and
refined, but this was no reversion to the stiff corsetry and
voluminous skirts of the Victorian era-; this was an elegant yet
simplified fashion decade. Clothes were feminine yet allowed for ease
of movement.
Detail was all around
the sleeves and shoulders; the 1931 movie 'Cimarron', starring Irene
Dunne, strongly influenced this trend, with costumes featuring
1890s-style 'leg-o-mutton' sleeves, exaggerated shoulder pads and
plenty of ribbons and bows. It was from this point on that American
cinema became a lasting upon western fashions. Zips became common,
replacing the buttons or press studs previously used on side
closures. Synthetic fabrics, particularly rayon, became widely used,
as they lent themselves to lustrous fabrics like shimmery lame,
thought so elegant for evening wear.
Despite the continued
influence of Parisien couturiers, most notably Madame Vionnet, who
focussed on pastel colours with swirly chiffon skirts and bias-cut
silks, and Elsa Schiaparelli, who not only defined the 30s look with
her classic suits and little black dresses, but collaborated with
cubist artists to produce a revolutionary array of hats in colours
such as cobalt blue and deep fuschia, for the average woman the
colours of the 30s matched the public mood. Shades of brown, blue,
olive green, maroon, taupe and black abounded. This is not to say
that prints and happy colours were unavailable, but they were
certainly less prominent.
Sunbathing became
popular for the first time. With the turn of the decade, swimwear had
become more brief, leaving much more skin exposed than ever before.
The rich were able to travel, of course, and warm, beachy
destinations such as the Bahamas, Florida and the Mediterranean were
in vogue. This in turn influenced fashion itself; in order to show
off their tans (or sunburns, as they were then called), men wore
white dinner jackets, halter tops and bare midriffs were seen on
women, and backless evening dresses, styles which we so strongly
associate with 30s movie stars, were the height of elegance.
Furs were a luxury item
that every woman aspired to own. Whether worn over the shoulder with
a winter suit or as an evening accessory with long gloves, real fur
was the height of fashion throughout the 1930s and in fact remained
popular until well into the 1950s. Gloves were enormously important;
no self-respecting woman would leave the house without them. The
length and fabric were tailored to the occasion; usually long gloves
for evening and wrist or mid-arm length for daytime. Colour
co-ordination was a definite fashion rule; to match ones handbag,
shoes, hat and gloves was essential.
All pictures from my own collection of original 1930s watercolours and fashion salesmans sample cards.
7 comments:
Great article Kitty, and gorgeous photos. I've really noticed the high street retailers using the cheapest fabrics recently - the prices don't seem to have dropped at all though. I really should take a leaf out of these women's book and learn to sew.
Wonderful post, fabulous pics. I am so much wiser thanks to you, my dear Kitty.
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Beautiful!
I want to be as slim as these ladies and wear dresses like that!
Wonderful illustrations, wouldn't it be amazing to be as long and lean as those gals?! Great article. xx
wonderful - thank you for imparting your knowledge xxx
Thanks for this blog!!
your blog is very informative.
Fashion Accessories for Women
Thanks for the post.
very knowledgeable blog.
Fashion Accessories for Women
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